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Gender Paradigms: A Post- Feminist Reading of CarylChurchill’s Top Girls

The study focuses on Caryl Churchill’s play Top Girls from a post feminist perspective. The play was a reaction against policies of the first female prime minister of England Ms. Margaret Thatcher. Marlene in the play represents Ms. Margaret Thatcher and she is a great admirer of Thatcherism. The economic policies carried out the first…

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Vedic and Oriental Influences in Ted Hughes’ Poems

The present article aims to explore Ted Hughes‘ interest in Orient and Vedic literature, and how he incorporates their visions in his poetry. The traces of these visions show his concern for culturally deprived science- driven modern western man .His poetic imagination acquires transformational potential with the help of Oriental and Vedic flashes. Without sermonizing,…

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Postmodernism: The Limits of Questioning

For the postmodern thinkers, the change from the Modern to the Postmodern occurssomewhere between 1960 and 1970. This is certainly an obvious historical perspective topresent the postmodern condition. Thus, the postmodern is also a subject to change in theongoing flux of history. The leftist approach looks at the postmodern as a historical condition.It is for…

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The Impossibility of Insular Cultures

The Homo sapiens as you and I represent today, is a young species. We may havesurvived a difficult challenge…that of survival. One reason for this successful survivalagainst all odds of the law of jungle was the social evolution of the human being. Man learntto use coordinated ways of cooperation as modus operandi for long-term continuance….

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Yashpal’s Fiction: A Reflection of his Life as a Social and Political Activist

The arrest of Yashpal brought his revolutionary activism to silence. The zest to do something for the betterment of the society at a micro and of the nation at the macro perspective could no longer be achieved as a revolutionary any more. But those who live with the resolve to serve the nation relentlessly cannot…

Representation of Women in Shama Futehally’s Tara Lane

Literature as discipline necessarily involves representation, and the twentieth century has witnessed a spurt of new literatures. This new trend questions the elitism and exclusiveness of literature so as to represent the voice of the formerly oppressed ‘Other.’ The inaudible and marginalized voice is brought to the forefront so that the earlier erasure and deliberate…

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The Bruised Heart of Africa: Devil on the Cross

Set against the backdrop of postcolonial era in Kenya, Ngugi wa Thiong’o’s Devil on the Cross portrays irony at its crest – with the devil on the cross instead of Jesus. Written entirely in Ngugi wa Thiong’o’s Gikuyu language after he stated that he would no longer put pen to paper in English, the tome…

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Popular and Feminist: Swati Kaushal’s Detective Fiction

Conceptualizing a paper on popular fiction, especially detective fiction, is a daunting task. As Ken Gelder1 has pointed out, popular fiction is usually considered as “capitalism’s most perfect literary form” (Gelder, 35) and therefore, is generally perceived as an “industrial” product, manufactured for unthinking mass consumption, as against literary works which, it is believed, usually…

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Human World in the Eye of Ghulam Ahmad Mahjoor andArchibald Lampman

The paper aims at to prove that how two poets belonging to two different places,languages have defined their particular societies. The methodology used in this paper isComparative one. Under the canvass of comparative literature I have taken the social themesof the two poets Archibald Lampman and Ghulam Ahmad Mahjoor. Archibald Lampman isa Canadian poet writing…

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Raewyn Alexander’s Ironic Vision in Fat

A poet, publisher, editor, novelist, and actor, Raewyn Alexander, with the publication of her first novel Fat (1996)1 , makes a path breaking entry into New Zealand’s literary world of fiction. With her emerges a new paradigm of women’s writing which is not anti-male, but probably indirectly pities men. Prior to her, no novelist has…