Vol 4 No 2
Shimla Journal of Poetry and Criticism
Similar Posts
Raewyn Alexander’s Ironic Vision in Fat
A poet, publisher, editor, novelist, and actor, Raewyn Alexander, with the publication of her first novel Fat (1996)1 , makes a path breaking entry into New Zealand’s literary world of fiction. With her emerges a new paradigm of women’s writing which is not anti-male, but probably indirectly pities men. Prior to her, no novelist has…
Yashpal’s Fiction: A Reflection of his Life as a Social and Political Activist
The arrest of Yashpal brought his revolutionary activism to silence. The zest to do something for the betterment of the society at a micro and of the nation at the macro perspective could no longer be achieved as a revolutionary any more. But those who live with the resolve to serve the nation relentlessly cannot…
Representation of Women in Shama Futehally’s Tara Lane
Literature as discipline necessarily involves representation, and the twentieth century has witnessed a spurt of new literatures. This new trend questions the elitism and exclusiveness of literature so as to represent the voice of the formerly oppressed ‘Other.’ The inaudible and marginalized voice is brought to the forefront so that the earlier erasure and deliberate…
The Impossibility of Insular Cultures
The Homo sapiens as you and I represent today, is a young species. We may havesurvived a difficult challenge…that of survival. One reason for this successful survivalagainst all odds of the law of jungle was the social evolution of the human being. Man learntto use coordinated ways of cooperation as modus operandi for long-term continuance….
“Reclaiming the Past”: Decolonization in the Early Novels of Chinua Achebe and Ngugi Wa Thiong’o
“The novelist is haunted by a sense of the past”, says Ngugi Wa Thiong’o in “The AfricanWriter and his Past” (Heywood ed., 1971). This paper explores tentative points ofconvergence and contrast between the early novels of Ngugi Wa Thiong’oi and ChinuaAchebe, on the basis of their treatment of the “past”, their attitude to language and…
Popular and Feminist: Swati Kaushal’s Detective Fiction
Conceptualizing a paper on popular fiction, especially detective fiction, is a daunting task. As Ken Gelder1 has pointed out, popular fiction is usually considered as “capitalism’s most perfect literary form” (Gelder, 35) and therefore, is generally perceived as an “industrial” product, manufactured for unthinking mass consumption, as against literary works which, it is believed, usually…
This article offers a fascinating perspective on the subject. The depth of research and clarity in presentation make it a valuable read for anyone interested in this topic. It’s refreshing to see such well-articulated insights that not only inform but also provoke thoughtful discussion. I particularly appreciated the way the author connected various aspects to provide a comprehensive understanding. It’s clear that a lot of effort went into compiling this piece, and it certainly pays off. Looking forward to reading more from this author and hearing other readers’ thoughts. Keep up the excellent work!